耍酷的笨蛋
828
7.1
滑稽警察爱耍酷
耍酷的笨蛋
7.1
更新时间:09月02日
主演:斯蒂芬·卡姆沃思,Hans-Werner Meyer
简介:李博·韦伯是城里最酷的警察。他是一个帅气十足的男人,穿着十分整洁,每天带着至少两个美女在城里寻欢作乐。遗憾的是,他的屁股从来不会做到警察局的椅子上,多少有些令他沮丧的是他的神秘的上司,李博非常规的应付方式就是捣蛋,因为他认为这样远比做好事强。但是一切都将改变,李博被安排了一个新的工作伙伴德克·兰特兰特曾经是最好,最坚强的警察,但当他的心爱的妻子邦妮欺骗了他并且离开他之后,他完全崩溃了。现在的兰特只不过是一个躯壳,他变得行动迟缓、愤世嫉俗、滥用药物、臭味熏天,而且还自暴自弃的终日饮酒。他和李博是两种截然不同的人,大家都不太喜欢他们。李博和兰特的第一个案子发生在电子宠物塔,一伙人从这里偷走了一批数量巨大的办公设备。李博闪电般速度的直觉开始起作用,很快他就在浴室里“审问”了美丽的秘书。与此同时,兰特偶然碰到了她的前妻邦妮,而邦妮现在正在和汉斯交往,汉斯是德国电子宠物的首席执行官,一个令人讨厌的家伙。当德国电子宠物举行年度圣诞宴会的时候,一组美女圣诞老人变成了冷酷无情的罪犯,她们的领导者就是美得令人窒息的奈拉。她把所有宴会上的客人都作为了人质,同时她的同伙正试图打开公司的保险箱。然而奈拉并没有重视在场的李博和兰特,而此时的两人已经勉强的加入了奈拉和她同伙的队伍里------奈拉制造了一系列令人惊讶的事件,甚至连这个最终充满力量的耍酷警探二人组都无法预料。
71
2012
耍酷的笨蛋
主演:斯蒂芬·卡姆沃思,Hans-Werner Meyer
不安
788
7.0
已完结
不安
7.0
更新时间:09月06日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
70
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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